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Written by NY Handog Project
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Wednesday, 28 April 2010 |
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NY Handog Project 2010 aims to bring together a group of Fil-Am artists in the NY/NJ area in performing a re-arranged version of the song HANDOG NG PILIPINO SA MUNDO, written by Mr. Jim Paredes and originally performed by 15 OPM Artists for the 1986 People Power Edsa Revolution. Recently it was also performed by the APO and other professional singers at Madame Cory Aquino's funeral last year.
As the original was used to inspire a movement and document a momentous event in our country's history, this project aims to document how a group of NY artists came together in the name of music to show our countrymen back home that even though we're way over here and they over there, WE STILL CARE ABOUT THE FUTURE OF OUR NATIVE COUNTRY. And that with the upcoming elections on May 10, 2010, the song's message of solidarity and coming together and standing up as a group to make a difference, is still as relevant today as it was back then.
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Written by The Editor
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Tuesday, 16 March 2010 |
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WHY do people give a lot of fuzz about how the artist chosen to sing the Philippine national anthem in every Manny Pacquiao fight executes his or her job? Martin Nievera got heat for singing the anthem in a very different style when he sang in one of Pacquiao’s fights in Vegas. Last Saturday before Pacquiao’s fight with Clottey, Filipino singer and vocalist of American band Journey Arnel Pineda is getting bad reviews for improvising the last part of the anthem. The Philippine Historical Institute condemns improvisations like such and demands an accurate rendition of the anthem in every occasion– accurate as in 1898 accurate. What is surprising is that some well known artists are also deriding these so-called “anthem wreckers” by saying that they should likewise stick to the original and not incorporate their own ideas that often alter the melodic structure of the anthem. In the same fight, the American anthem was sung in three-part harmony, a capella, by three Dallas Cowboys cheerleaders in denim panties. Needless to say, not one American complained–even if the rendition was obviously lip-synched. Throughout the ages, American artists have made their anthem alive and unforgettable by making it their own. Hendrix during Woodstock in 1969, and Marvin Gaye during the 1983 NBA All-Star Game. Of course, there were controversial ones too: Roseanne Barr’s off-key version, and Jose Feliciano’s “Latinized” rendition come to mind. But despite these missteps, Americans never closed the doors on artists that try to create art with their anthem. Some artists even fused America the Beautiful with The Star Spangled Banner and received praise from all sectors. The point is Americans value their artists as much as they value their anthem because they value freedom of expression. Apparently, this is not the case in the Philippines. There, it’s the original way or the highway.
Tags: Arnel Pineda Manny Pacquiao National Anthem Lupang Hinirang Philippine Anthem Star Spangled Banner Jimi Hendrix Marvin Gaye Journey Martin Nievera Mayweather |
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Last Updated ( Thursday, 18 March 2010 )
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Written by Ted Reyes
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Thursday, 11 March 2010 |

The most critical element in an R&B production aside from a groovy beat is soul. And in this new album entitled Move by New York– based Filipino-American R&B artist Eric G, there is no shortage of soul. In fact, it is abundant. So abundant that upon hearing the tracks in this record, one can conclude right away that the soul that moves the music is divinely inspired.
Yes, Eric G is a Christian R&B artist. That very well explains it. This 11-track album is not an R&B record that injects vague and general Christian messages of love, peace and forgiveness. No sir. This is an upfront proclamation of the joys of having Christ in one’s life. From the title track ‘Move’ to the album closer ‘It’s Time’ there’s no mistaking what the artist’s convictions are and that is very impressive.There's even a direct refference to a Biblical verse and chapter. The track ‘My Everything’ has the appeal of a Gary Valenciano praise and worship number. It is delicate, sincere, well written and superbly produced by Eric G himself in his NY studio.
Tags: Eric G Christian music Fil-Am music Filipino-American music Move gospel R&B |
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Last Updated ( Thursday, 11 March 2010 )
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Written by Daniel Balaoing Valdez
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Thursday, 11 March 2010 |
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Practically every nation has or must have had its own version of a small guitar-like instrument . Examples of these are Spain's vihuela or timple, Indonesia's krongcong and Puerto Rico's bordonua. The most popular of these instruments is the ukulele ( meaning "jumping flea" in Hawaiian) which had taken root in the state of Hawaii. Patronized by Burt Bacharach (Raindrops Keep Falling On My Head), endorsed by Paul McCartney, played by George Harrison, and coddled by Elvis in "Blue Hawaii", the uke (as it is called in short) is the unofficial symbol of the state of Hawaii. Here in the Philippines, we have a similar stringed instrument known as the "kutibeng" (literally "touch to produce sound" from the Ilocano words "kuti" and "tibeng") . It was , and could in very rare cases still be, in use at least in the Ilocos - the northern part of the country's main island of Luzon. It was a popular home-made singing tool until the arrival in our shores ( at the start of the 20th century) of the Americans who introduced the ukulele. While the uke sounds endemic to Hawaii, the instrument did not originate there as the kutibeng (kuti) did in our country. Then known as "braguinha" or "cabaquinho", the uke was introduced in that island state in 1879 by Portuguese immigrants . But with the spreading American influence and relative control of international communications in the early 1900's, the Hawaiians (15 % of whom is of Filipino descent) richly deserve credit for the uke's successful promotion worldwide. Today, well known ukulelists like Jake Shimabukuro, Roy Sakuma, Bryan Tolentino, James Hill, Abe Lagrimas Jr. (of Filipino descent), Herb Ohta and many others play in bars, concert halls, TV stations and festivals. The kutibeng is one musical instrument that strongly deserves revival in our country. If a related instrument can thrive in another country, with stronger reason should it in ours - one inhabited by millions of music lovers and musicians many of whom are posted worldwide. I recall, while growing up as a small boy in Camiling, Tarlac decades back when there was hardly electricity in the barrios, the beautiful sounds emitted by this lovable instrument amidst the stillness of the night and the majestic sparkle of fireflies.
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Written by News Desk
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Tuesday, 02 March 2010 |
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It is Spring, and Poptimes Magazine has a Happening.
Four amazing local bands from New York and New Jersey: Black Diary, Ligaya, The Happy Analogues, and Ave will welcome the new season with some of the most engaging live music the scene has to offer.
The show will be on Saturday, March 27, 2010 at Fontana's Bar located at 105 Eldridge Street, New York, NY.
Show begins at 7:00 PM so come early.
There will be a cover charge of $10. Event is for 21 + only.
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Last Updated ( Tuesday, 02 March 2010 )
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